Angklung is a famous traditional music instrument made from bamboo and is an original musical instruments of West Java, Indonesian. Formerly, angklung holds an important part of the activity of certain ceremonies, especially at harvest time. Angklung voice believed to invite the attention of Dewi Sri (Nyi Sri Pohaci) which will bring fertility to the rice farmers and will give you happiness and prosperity for mankind.
Angklung the oldest extant in history called the Angklung gubrag made in Jasinga, Bogor, Indonesian and has reached 400 years old. Today, some are stored in the Museum angklung Sri Baduga, Bandung, Indonesian.
Over time, Angklung is not only known throughout the archipelago, but also spread to various countries in Asia. At the end of the 20th century, Angklung Daeng Soetigna created based on the sound scale diatonik. After that, angklung has been used in the entertainment business since this instrument can be played combined with a variety of other musical instruments. In 1966, Udjo Ngalagena, a student of Mr. Angklung Daeng Soetigna developed based on the sound scale Sundanese musical instruments, namely salendro, pelog, and madenda.
Various kinds of Angklung
1. Angklung Kanekes
Angklung Kanekes area (we often call them Bedouin) is used primarily because of its relationship with rice ceremony, not solely for the entertainment of people. Angklung is used or is sounded when they grow rice in shifting cultivation (field). Angklung Kanekes sounded when people grow rice, there are only rung Commons (dikurulungkeun), especially in Kajeroan (Tangtu, Bedouin Jero), and anyone with a certain rhythmic, namely in Kaluaran (Outer Baduy). However, angklung still can be displayed outside the rites of rice and keep memunyai rules, for example, may only beaten until his ngubaran pare (treating paddy), about three months from the time planted rice. After that, during the next six months all the arts should not be played, and can be played again on the next rice planting season. Closes angklung implemented with event called musungkeun angklung, namely nitipkeun (leave, keep) angklung after use.
Angklung the oldest extant in history called the Angklung gubrag made in Jasinga, Bogor, Indonesian and has reached 400 years old. Today, some are stored in the Museum angklung Sri Baduga, Bandung, Indonesian.
Over time, Angklung is not only known throughout the archipelago, but also spread to various countries in Asia. At the end of the 20th century, Angklung Daeng Soetigna created based on the sound scale diatonik. After that, angklung has been used in the entertainment business since this instrument can be played combined with a variety of other musical instruments. In 1966, Udjo Ngalagena, a student of Mr. Angklung Daeng Soetigna developed based on the sound scale Sundanese musical instruments, namely salendro, pelog, and madenda.
Various kinds of Angklung
1. Angklung Kanekes
Angklung Kanekes area (we often call them Bedouin) is used primarily because of its relationship with rice ceremony, not solely for the entertainment of people. Angklung is used or is sounded when they grow rice in shifting cultivation (field). Angklung Kanekes sounded when people grow rice, there are only rung Commons (dikurulungkeun), especially in Kajeroan (Tangtu, Bedouin Jero), and anyone with a certain rhythmic, namely in Kaluaran (Outer Baduy). However, angklung still can be displayed outside the rites of rice and keep memunyai rules, for example, may only beaten until his ngubaran pare (treating paddy), about three months from the time planted rice. After that, during the next six months all the arts should not be played, and can be played again on the next rice planting season. Closes angklung implemented with event called musungkeun angklung, namely nitipkeun (leave, keep) angklung after use.
In the presentation of entertainment, usually held during angklung bright moon and no rain. They play in the game angklung (page widespread in rural areas) while singing various songs, among others:
"Lutung Kasarung", "Yandu Bibi", "Yandu Sala", "Ceuk Arileu", "Oray-orayan", "Dengdang", "Yari Gandang", "Oyong-oyong Bangkong", "Badan Kula", "Kokoloyoran", "Ayun-ayunan", "Pileuleuyan", "Gandrung Manggu", "Rujak Gadung", "Mulung Muncang", "Giler", "Ngaranggeong", "Aceukna", "Marengo", "Salak Sadapur", "Rangda Ngendong", "Celementre", "Keupat Reundang", "Papacangan", dan "Culadi Dengdang".
The drummers angklung eight people and three drummers drum small size make the standing position while walking in a circle formation. Meanwhile others had ngalage (dance) with a specific movement that has been raw but simple. Everything is done only by men. This is different from the Bedouin community, they are limited by custom with the various rules pamali (taboo, taboo), should not be doing things excessive worldly pleasures. Art solely for ritual purposes.Angklung names in Kanekes of the largest are: ovarian, ringkung, Dongdong, gossip, engklok, ovarian leutik, torolok, and Roel. Roel which consists of two pieces held by a angklung. The names of the longest drum are: drum, talingtit, and percussion. The use of drum instruments there is a difference, namely in the villages they wear bedug Kaluaran three pieces. In Kajeroan, Cikeusik village, just use the drum and talingtit, without percussion. In Kajeroan, Kampung Cibeo, just use the drum, without talingtit and percussion.
In Kanekes who is the person entitled to make angklung Kajeroan (Tangtu, Bedouin Jero). Kajeroan consists of three villages, namely Cibeo, Cikartawana, and Cikeusik. In all three villages is not everyone can make it, only that have offspring and have the right to do just that in addition to the requirements of ritual. Angklung makers in the famous Cikeusik is Amir's father (59), and in Cikartawana father Tarnah. People buy from people Kajeroan Kaluaran in three village.
2. Angklung Dogdog Lojor
Art is available at the community dogdog lojor Kasepuhan Pancer Pangawinan or customs union Banten Kidul scattered around Mount Mist (adjacent to Sukabumi, Bogor and Lebak). Although this art is called dogdog lojor, the name of one of the instruments in it, but there is also used angklung because the connection with the ritual of rice. Once a year, after harvesting the whole community held an event or seren Serah Taun Taun on traditional village center. Traditional village center as a place of residence kokolot (elders) the place always on the move as directed supernatural.
The tradition of respect for rice in this community is still carried out because they included people who still adhere to old customs. By tradition they claim to be descendants of the officers and soldiers in the palace Pajajaran Baresan pangawinan (soldier armed with a lance). Kasepuhan community has embraced Islam and somewhat open to the influence of modernization, as well as entertainment things worldly pleasures can be enjoyed. This attitude also affects the function of art in terms that since about the 1970s, dogdog lojor has been progressing, which is used to enliven the circumcision of children, marriage, and other festive events.
The tradition of respect for rice in this community is still carried out because they included people who still adhere to old customs. By tradition they claim to be descendants of the officers and soldiers in the palace Pajajaran Baresan pangawinan (soldier armed with a lance). Kasepuhan community has embraced Islam and somewhat open to the influence of modernization, as well as entertainment things worldly pleasures can be enjoyed. This attitude also affects the function of art in terms that since about the 1970s, dogdog lojor has been progressing, which is used to enliven the circumcision of children, marriage, and other festive events.
The instruments used in the arts dogdog lojor is dogdog lojor two and four great angklung. These four fruit this angklung memunyai name, which is called the bark, then panembal, Kingking, and inclok. Each instrument is played by one, making a total of six people. Lojor dogdog Songs include: "Bale Agung", "Samping Hideung", "oleng-oleng Papanganten", "Si Tunggul Kawung", "Adulilang", and "Adu-aduan. " These songs form of vocals with rhythmic dogdog and angklung tend to remain.
3.Angklung gubrag
Angklung gubrag located at Kampung Cipining, District Cigudeg, Bogor. Angklung has old age and used to honor the goddess of rice in the activities carry pare (rice), ngunjal pare (transporting rice), and ngadiukeun (put) into leuit (barn). In the myth angklung gubrag began there when a period of Kampung Cipining having a bad season.
4. Angklung Badeng
3.Angklung gubrag
Angklung gubrag located at Kampung Cipining, District Cigudeg, Bogor. Angklung has old age and used to honor the goddess of rice in the activities carry pare (rice), ngunjal pare (transporting rice), and ngadiukeun (put) into leuit (barn). In the myth angklung gubrag began there when a period of Kampung Cipining having a bad season.
4. Angklung Badeng
Badeng is a type of art that emphasize the musical aspect with angklung as the main instrument. Sanding there Badeng Village, District Malangbong, Garut. Used to serve as entertainment for the benefit of the Islamic da'wah. Badeng allegedly been used since the old society from the pre-Islamic for events associated with the ritual of planting rice. As an art to preaching trusted Badeng developed since Islam spread in this area around the 16th century or the 17th. At that time the population Sanding, Arpaen, and Nursaen study Islam to the Kingdom of Demak. After returning from Demak they preach spread the religion of Islam. One of the means of spreading Islam with the arts used was Badeng.
Angklung used as many as nine pieces, namely two angklung Roel, one angklung intelligence, four ovarian and Angklung Angklung father, two children angklung, two dogdog, two fruit fly or gembyung, and one kecrek. The text uses the Sundanese language mixed with Arabic. In its development is now also used the Indonesian language. The contents of the text contains Islamic values and good advice, and according to the purposes of the event. In addition to the show presented songs, well presented attraction supernatural powers, such as slicing the body with sharp weapons. Badeng Songs: "Lailahaileloh", "Ya'ti", "Kasreng", "Yautike", "Lilimbungan", and "Solaloh".
Angklung used as many as nine pieces, namely two angklung Roel, one angklung intelligence, four ovarian and Angklung Angklung father, two children angklung, two dogdog, two fruit fly or gembyung, and one kecrek. The text uses the Sundanese language mixed with Arabic. In its development is now also used the Indonesian language. The contents of the text contains Islamic values and good advice, and according to the purposes of the event. In addition to the show presented songs, well presented attraction supernatural powers, such as slicing the body with sharp weapons. Badeng Songs: "Lailahaileloh", "Ya'ti", "Kasreng", "Yautike", "Lilimbungan", and "Solaloh".
5. Buncis
Beans is a performance art that is entertainment, of which there are at Baros (Arjasari, Bandung). At first the beans used at events related to rice farming. But at the present time beans are used as an entertainment art. This is related to the changing view of society that began less heed to the things smelled of old beliefs. In the 1940s can be regarded as the end of the ritual function in respect of rice beans, because since then beans turned into a show of entertainment. In line with that of rice storage places too (leuit, barn) began to disappear from people's homes, places replaced with a more practical bag, and easy to carry everywhere. Rice even now many are directly sold, not stored in the barn. Thus art beans that had been used for events ngunjal (carrying rice) is not needed anymore.
The name of art relating to a text string beans famous song among the people, ie "cis kacang buncis nyengcle ...". The text included in arts beans, so the art is called beans.
The instruments used in the arts beans: two angklung ovarian, two angklung ambrug, one angklung panempas, two angklung pancer angklung enclok one, three dogdog (one talingtit, one panembal, and one badublag). In its development, then added with tarompet, kecrek, and goong. Angklung beans barreled salendro with song vocals can barreled madenda or gamelan. Beans Songs include: "Badud", "Beans", "Renggong", "Senggot", "Jalantir", "Jangjalik", "Ela-ell", "Mega Beureum". Now the songs beans have used also the songs of the gamelan, with the singer who was the man angklung players, now by a special lady to sing.
Of the several types of bamboo to music in West Java (Angklung) above, are some examples of the performing arts angklung, namely: angklung beans (Priangan / Bandung), angklung Badud (East Priangan / Ciamis), angklung bungko (Indramayu), angklung gubrag (Bogor), angklung ciusul (Banten), angklung dog dog lojor (Sukabumi), angklung Badeng (Malangbong, Garut), and angklung Padaeng identical with national angklung with diatonic scales, developed since 1938. Angklung is derived from typical Indonesian Sundanese angklung development. Angklung Sunda who pitched five (salendro or pelog) by Daeng Sutigna aka The Etjle (1908-1984) changed his tone became Western scales (solmisasi) so that it can play a variety of other songs. Investment results and then taught to school students and played a big orchestra.
The instruments used in the arts beans: two angklung ovarian, two angklung ambrug, one angklung panempas, two angklung pancer angklung enclok one, three dogdog (one talingtit, one panembal, and one badublag). In its development, then added with tarompet, kecrek, and goong. Angklung beans barreled salendro with song vocals can barreled madenda or gamelan. Beans Songs include: "Badud", "Beans", "Renggong", "Senggot", "Jalantir", "Jangjalik", "Ela-ell", "Mega Beureum". Now the songs beans have used also the songs of the gamelan, with the singer who was the man angklung players, now by a special lady to sing.
Of the several types of bamboo to music in West Java (Angklung) above, are some examples of the performing arts angklung, namely: angklung beans (Priangan / Bandung), angklung Badud (East Priangan / Ciamis), angklung bungko (Indramayu), angklung gubrag (Bogor), angklung ciusul (Banten), angklung dog dog lojor (Sukabumi), angklung Badeng (Malangbong, Garut), and angklung Padaeng identical with national angklung with diatonic scales, developed since 1938. Angklung is derived from typical Indonesian Sundanese angklung development. Angklung Sunda who pitched five (salendro or pelog) by Daeng Sutigna aka The Etjle (1908-1984) changed his tone became Western scales (solmisasi) so that it can play a variety of other songs. Investment results and then taught to school students and played a big orchestra.
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